Thesauros Edebiyat Tragedya Ἀγαμέμνων

Ἀγαμέμνων

Ἀγαμέμνων Aeschylus

Stasimon 4

KASSANDRA.
Otototoi, Gods, Earth, —
 
Apollon, Apollon!
CHOROS.
Why didst thou ototoi concerning Loxias?
 
Since he is none such as to suit a mourner. 1075
KASSANDRA.
Otototoi, Gods, Earth, —
 
Apollon, Apollon!
CHOROS.
Ill-boding here again the god invokes she
 
— Nowise empowered in woes to stand by helpful.
KASSANDRA.
Apollon, Apollon, 1080
 
Guard of the ways, my destroyer!
 
For thou hast quite, this second time, destroyed me.
CHOROS.
To prophesy she seems of her own evils:
 
Remains the god-gift to the slave-soul present.
KASSANDRA.
Apollon, Apollon, 1085
 
Guard of the ways, my destroyer!
 
Ha, whither hast thou led me? to what roof now?
CHOROS.
To the Atreidai’s roof: if this thou know’st not,
 
I tell it thee, nor this wilt thou call falsehood.
KASSANDRA.
How! How! 1090
 
God-hated, then! Of many a crime it knew — 1090
 
Self-slaying evils, halters too:
 
Man’s-shambles, blood-besprinkler of the ground!
CHOROS.
She seems to be good-nosed, the stranger: dog-like,
 
She snuffs indeed the victims she will find there.
KASSANDRA.
How! How! 1095
 
By the witnesses here I am certain now! 1095
 
These children bewailing their slaughters — flesh dressed in the fire
 
And devoured by their sire!
CHOROS.
Ay, we have heard of thy soothsaying glory,
 
Doubtless: but prophets none are we in scent of!
KASSANDRA.
Ah, gods, what ever does she meditate? 1100
 
What this new anguish great? 1100
 
Great in the house here she meditates ill
 
Such as friends cannot bear, cannot cure it: and still
 
Off stands all Resistance
 
Afar in the distance!
CHOROS.
Of these I witless am — these prophesyings. 1105
 
But those I knew: for the whole city bruits them.
KASSANDRA.
Ah, unhappy one, this thou consummatest?
 
Thy husband, thy bed’s common guest,
 
In the bath having brightened. .. How shall I declare
 
Consummation? It soon will be there:
 
For hand after hand she outstretches, 1110
 
At life as she reaches!
CHOROS.
Nor yet I’ve gone with thee! for — after riddles —
 
Now, in blind oracles, I feel resourceless.
KASSANDRA.
Eh, eh, papai, papai,
 
What this, I espy?
 
Some net of Haides undoubtedly 1115
 
Nay, rather, the snare
 
Is she who has share
 
In his bed, who takes part in the murder there!
 
But may a revolt —
 
Unceasing assault —
 
On the Race, raise a shout
 
Sacrificial, about
 
A victim — by stoning —
 
For murder atoning!
CHOROS.
What this Erinus which i’ the house thou callest
 
To raise her cry? Not me thy word enlightens! 1120
 
To my heart has run
 
A drop of the crocus-dye:
 
Which makes for those
 
On earth by the spear that lie,
 
A common close
 
With life’s descending sun.
 
Swift is the curse begun!
KASSANDRA.
How! How! 1125
 
See — see quick! 1125
 
Keep the bull from the cow! 1125
 
In the vesture she catching him, strikes him now
 
With the black-horned trick,
 
And he falls in the watery vase!
 
Of the craft-killing cauldron I tell thee the case!
CHOROS.
I would not boast to be a topping critic 1130
 
Of oracles: but to some sort of evil
 
I liken these. From oracles, what good speech
 
To mortals, beside, is sent?
 
It comes of their evils: these arts word-abounding that sing the event
 
Bring the fear’t is their office to teach. 1135
KASSANDRA.
Ah me, ah me —
 
Of me unhappy, evil-destined fortunes!
 
For I bewail my proper woe
 
As, mine with his, all into one I throw.
 
Why hast thou hither me unhappy brought?
 
— Unless that I should die with him — for nought!
 
What else was sought?
CHOROS.
Thou art some mind-mazed creature, god-possessed: 1140
 
And all about thyself dost wail
 
A lay — no lay!
 
Like some brown nightingale
 
Insatiable of noise, who — well-away! —
 
From her unhappy breast
 
Keeps moaning Itus, Itus, and his life
 
With evils, flourishing on each side, rife. 1145
KASSANDRA.
Ah me, ah me,
 
The fate o’ the nightingale, the clear resounder!
 
For a body wing-borne have the gods cast round her,
 
And sweet existence, from misfortunes free:
 
But for myself remains a sundering
 
With spear, the two-edged thing!
CHOROS.
Whence hast thou this on-rushing god-involving pain 1150
 
And spasms in vain? 1150
 
For, things that terrify,
 
With changing unintelligible cry
 
Thou strikest up in tune, yet all the while
 
After that Orthian style!
 
Whence hast thou limits to the oracular road,
 
That evils bode? 1155
KASSANDRA.
Ah me, the nuptials, the nuptials of Paris, the deadly to friends!
 
Ah me, of Skamandros the draught
 
Paternal! There once, to these ends,
 
On thy banks was I brought,
 
The unhappy! And now, by Kokutos and Acheron’s shore 1160
 
I shall soon be, it seems, these my oracles singing once more!
CHOROS.
Why this word, plain too much,
 
Hast thou uttered? A babe might learn of such!
 
I am struck with a bloody bite — here under —
 
At the fate woe-wreaking 1165
 
Of thee shrill shrieking:
 
To me who hear — a wonder!
KASSANDRA.
Ah me, the toils — the toils of the city
 
The wholly destroyed: ah, pity,
 
Of the sacrificings my father made
 
In the ramparts’ aid —
 
Much slaughter of grass-fed flocks — that afforded no cure
 
That the city should not, as it does now, the burthen endure! 1170
 
But I, with the soul on fire,
 
Soon to the earth shall cast me and expire.
CHOROS.
To things, on the former consequent,
 
Again hast thou given vent:
 
And ’t is some evil-meaning fiend doth move thee, 1175
 
Heavily falling from above thee, 1175
 
To melodize thy sorrows — else, in singing,
 
Calamitous, death-bringing!
 
And of all this the end
 
I am without resource to apprehend

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