ANACHARSIS I have seen the tragedians and comedians that you are speaking of, Solon, if I am not mistaken; theyThe tragedians. There may be a lacuna in the text. had on heavy, high footgear, clothing that was gay with gold stripes, and very ludicrous head- pieces with great, gaping mouths; they shouted loudly from out of these, and strode about in the footgear, managing somehow or other to do it safely. The city was then holding a feast, in honour, I think, of Dionysus. The comedians were shorter, nearer to the common level, more human, and less given to shouting, but their headpieces were far more ludicrous. In fact the whole audience laughed at them; but they all wore long faces while they listened to the tall fellows, pitying them, I suppose, because they were dragging such clogs about!
SOLON It was not the actors that they pitied, my dear fellow. No doubt the poet was presenting some calamity of old to the spectators and declaiming mournful passages to the audience by which his hearers were moved to tears. Probably you also saw flute-players at that time, and others who sang in concert, standing in a circle. Even singing and flute-playing is not without value, Anacharsis. By all these means, then, and others like them, we whet their souls and make them better.
