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ARA İngilizce Latince Latince

10b Clearly therefore the denouementOr unravelling. of each play should also be the result of the plot itself and not produced mechanically as in the Medea and the incident of the embarkation in the Iliad. Hom. Il. 2.155-181, where it is only the arbitrary (i.e., uncaused) intervention of Athene which stays the flight of the Greeks. In the Medea the heroine, having killed her rival and her children, is spirited away in the chariot ot the Sun, a result not caused by what has gone before.

10c The god in the carThe μηχανή or car was a sort of crane with a pulley attached, which was fixed at the top of the back-scene in the left corner of the stage. By it a god or hero could be lowered or raised or exhibited motionless in mid-air. Weak dramatists thus introduced a car to cut the knot by declaring the denouement instead of unravelling the plot by the logic of cause and effect. It was presumably on such a car that Medea was borne away. should only be used to explain what lies outside the play, either what happened earlier and is therefore beyond human knowledge, or what happens later and needs to be foretold in a proclamation. For we ascribe to the gods the power of seeing everything.

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