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6 Fourthly, it should be consistent. Even if the original be inconsistent and offers such a character to the poet for representation, still he must be consistently inconsistent.

7 An example of unnecessary badness of character is Menelaos in the OrestesAristotle has a personal distaste for this character on the ground that Euripides made him a creature meaner than the plot demands.;

8 of character that is unfitting and inappropriate the lament of Odysseus in the ScyllaA dithyramb by Timotheus. Cf. Aristot. Poet. 26.3. and Melanippe’s speechA fragment survives (Eur. Fr. 484 (Nauck)). Euripides seems to have given her a knowledge of science and philosophy inappropriate to a woman.;

9 of inconsistent character Iphigeneia in Aulis, for the suppliant Iphigeneia is not at all like her later character.

10 In character-drawing just as much as in the arrangement of the incidents one should always seek what is inevitable or probable, so as to make it inevitable or probable that such and such a person should say or do such and such; and inevitable or probable that one thing should follow another.

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