Περὶ ποιητικῆς

Bölümler

1 – 1 2 – 3 4 – 7 8 – 11 12 – 14 1 – 4 5 – 3 4 – 5 6 – 6 7 – 9 10 – 13 14 – 16 17 – 20 21 – 3 4 – 11 1 – 6 7 – 11 12 – 16 17 – 23 24 – 27 28 – 8 9 – 12 1 – 3 4 – 3 4 – 6 7 – 9 10 – 11b 11c – 3 4 – 1 2 – 5 6 – 8 9 – 9 10 – 4 5 – 6 7 – 11 12 – 3 4 – 8 9 – 15 16 – 19 20 – 5 6 – 10 10b – 10c 10d – 11 12 – 3 4 – 6 7 – 8 9 – 9 10 – 12 1 – 2 3 – 5 6 – 8 9 – 3 4 – 8 9 – 19 20 – 5 6 – 9 1 – 4 5 – 9 10 – 2 3 – 9 10 – 13 14 – 19 20 – 4 5 – 8 9 – 12 13 – 15 16 – 2 3 – 5 6 – 2 3 – 6 7 – 12 13 – 15 16 – 17 18 – 19 20 – 22 23 – 3 4 – 9 10 – 14 15 – 15 16 – 16 17 – 17 18 – 19 20 – 21 22 – 24 25 – 30 31 – 1 2 – 5 6 – 12 13 – 16

ARA İngilizce Latince Latince

4 For just as by the use both of color and form people represent many objects, making likenesses of them—some having a knowledge of art and some working empirically—and just as others use the human voice; so is it also in the arts which we have mentioned, they all make their representations in rhythm and language and tune, using these means either separately or in combination.

5 For tune and rhythm alone are employed in flute-playing and harp-playing and in any other arts which have a similar function, as, for example, pipe-playing.

6 Rhythm alone without tune is employed by dancers in their representations, for by means of rhythmical gestures they represent both character and experiences and actions.πάθη καὶ πράξεις cover the whole field of life, what men do (πράξεις) and what men experience (πάθη). Since πάθη means also emotions and that sense may be present here, but as a technical term in this treatise πάθος is a calamity or tragic incident, something that happens to the hero.

7 But the art which employs words either in bare prose or in metres, either in one kind of metre or combining several, happens up to the present day to have no name.

← Önceki 3 / 89 Sonraki →

Şifre Yenileme