Thesauros Edebiyat Tarih On the Art of Horsemanship

On the Art of Horsemanship

On the Art of Horsemanship Xenophon
1.2 In examining his body, we say you must first look at his feet. For, just as a house is bound to be worthless less if the foundations are unsound, however well the upper parts may look, so a war-horse will be quite useless, even though all his other points are good, if he has bad feet; for in that case he will be unable to use any of his good points.
1.3 When testing the feet first look to the hoofs. For it makes a great difference in the quality of the feet if they are thick rather than thin. Next you must not fail to notice whether the hoofs are high both in front and behind, or low. For high hoofs have the frog, as it is called, well off the ground; but flat hoofs tread with the strongest and weakest part of the foot simultaneously, like a bow-legged man. Moreover, Simon says that the ring, too, is a clear test of good feet: and he is right; for a hollow hoof rings like a cymbal in striking the ground.M. Bourgelat, in his preface to the second volume of Les Elemens Hippiatriques reprehends this remark as trifling and false; and if our author is to be understood literally, the criticism is certainly just.—Berenger 1.221. Yet it is unlikely that Simon and X. were both mistaken.
1.4 Having begun here, we will proceed upwards by successive steps to the rest of the body.

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