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He dedicated the temple to Jupiter Tonans [or. Apollo Tonans],The three fluted Corinthian columns of white marble, which stand on the declivity of the Capitoline hill, are commonly supposed to be the remains of the temple of Jupiter Tonans, erected by Augustus. Part of the frieze and cornice are attached to them, which with the capitals of the columns are finely wrought. Suetonius tells us on what occasion this temple was erected. Of all the epithets given to Jupiter, none conveyed more terror to superstitious minds than that of the Thunderer- Caelo tonantem credidimus Jovem Regnare. Hor. l. iii. Ode 5. We shall find this temple mentioned again in c. lxxxix. of the life of Augustus. in acknowledgment of his escape from a great danger in his Cantabrian expedition; when, as he was travelling in the night, his litter was struck by lightning, which killed the slave who carried a torch before him. He likewise constructed some public buildings in the name of others; for instance, his grandsons, his wife, and sister. Thus he built the portico and basilica of Lucius and Caius, and the porticos of Livia and Octavia.The Portico of Octavia stood between the Flaminian circus and the theatre of Marcellus, enclosing the temples of Jupiter and Juno, said to have been built in the time of the republic. Several remains of them exist in the Pescheria or fish-market; they were of the Corinthian order, and have been traced and engraved by Piranesi. and the theatre of Marcellus.The magnificent theatre of Marcellus was built on the site where Suetonius has before informed us that Julius Caesar intended to erect one (p. 37). It stood between the portico of Octavia and the hill of the capitol. Augustus gave it the name of his nephew Marcelhis, though he was then dead. Its ruins are still to be seen in the Piazza Montanara, where the Orsini family have a palace erected on the site. He also often exhorted other persons of rank to embellish the city by new buildings, or repairing and improving the old, according to their means. In consequence of this recommendation, many were raised; such as the temple of Hercules and the Muses, by Marcius Philippus; a temple of Diana by Lucius Cornificius; the Court of Freedom by Asinius Pollio; a temple of Saturn by Munatius Plancus; a theatre by Cornelius BalbusThe theatre of Balbus was the third of the three permanent theatres of Rome. Those of Pompey and Marcellus have been already mentioned.; an amphitheatre by Statilius Taurus, and several other noble edifices by Marcus Agrippa.Among these were, at least, the noble portico, if not the whole, of the Pantheon, still the pride of Rome, under the name of the Rotondo, on the frieze of which may be seen the inscription, M.Marcus AGRIPPA. L.Lucii F.filius COS.consul TERTIUM. FECIT. Agrippa also built the temple of Neptune, and the portico of the Argonauts.