13
Seeing then an absolute apathy or freedom from all passions whatsoever is a great and divine perfection, and, withal, considering that progress seems to consist in a certain remission and moderation of those very passions we carry about us, it unavoidably follows, that if we will observe our passions, with relation to one another and also to themselves, we may easily find out their differences. For example, first, we may observe from the passions compared with themselves whether our desires be now more moderate than they used to be, fear and anger less and more calm, and whether or no we are more able to quench the heat and flame of our passions than we used to be.
13
Secondly, by comparing them with one another, we may observe whether we now have a greater share of shame than of fear, whether emulation be without any mixture of envy, whether we have greater desire of glory than of riches, whether we offend (as the musicians term it) in the Dorian or base or in the Lydian or treble notes,—that is, whether we are more inured to abstinence and hardship than otherwise,—whether we are unwilling rather than forward to appear in public, and, lastly, whether we are undue admirers of the persons or performances of others, or despisers both of them and what they can do.
