56.4
For just as all the kings, dynasts, tetrarchs, nations, and cities between Syria, the Maeotic Lake, Armenia, and Illyria had been ordered to send or bring their equipment for the war, so all the dramatic artists were compelled to put in an appearance at Samos; and while almost all the world around was filled with groans and lamentations, a single island for many days resounded with flutes and stringed instruments; theatres there were filled, and choral bands were competing with one another.
56.5
Every city also sent an ox for the general sacrifice, and kings vied with one another in their mutual entertainments and gifts. And so men everywhere began to ask: How will the conquerors celebrate their victories if their preparations for the war are marked by festivals so costly?
57.1
When these festivities were over, Antony gave the dramatic artists Priene as a place for them to dwell, and sailed himself to Athens, where sports and theatres again engaged him. Cleopatra, too, jealous of Octavia’s honours in the city (for Octavia was especially beloved by the Athenians), tried by many splendid gifts to win the favour of the people.
57.2
So the people voted honours to her, and sent a deputation to her house carrying the vote, of whom Antony was one, for was he not a citizen of Athens? And standing in her presence he delivered a speech in behalf of the city. To Rome, however, he sent men who had orders to eject Octavia from his house.