19
If a fancy for impassioned recitative comes over you, indulge it as long as you will, and air your falsetto. If your matter is not of the right poetic sort, you may consider yourself to have met the requirements if you run over the names of the jury in a rhythmic manner. Appeal constantly to the pathetic instinct, smite your thigh, mouth your words well, punctuate with loud sighs, and let your very back be eloquent as you pace to and fro. If the audience fatls to applaud, take offence, and give your offence words; if they get up and prepare to go out in disgust, tell them to sit down again; discipline must be maintained.
20
It will win you credit for copiousness, if you start with the Trojan War—you may tf you like go right back to the nuptials of Deucalion and Pyrrha—and thence trace your subject down to to-day. People of sense, remember, are rare, and they will probably hold their tongues out of charity; or if they do comment, it will be put down to jealousy. The rest are awed by your costume, your voice, gait, motions, falsetto, shoes, and sundry; when they see how you perspire and pant, they cannot admit a moment's doubt of your being a very fine rhetorical performer. With them, your mere rapidity is a miracle quite sufficient to establish your character. Never prepare notes, then, nor think out a subject beforehand; that shows one up at once.
