Περὶ ποιητικῆς

Sections

1 – 1 2 – 3 4 – 7 8 – 11 12 – 14 1 – 4 5 – 3 4 – 5 6 – 6 7 – 9 10 – 13 14 – 16 17 – 20 21 – 3 4 – 11 1 – 6 7 – 11 12 – 16 17 – 23 24 – 27 28 – 8 9 – 12 1 – 3 4 – 3 4 – 6 7 – 9 10 – 11b 11c – 3 4 – 1 2 – 5 6 – 8 9 – 9 10 – 4 5 – 6 7 – 11 12 – 3 4 – 8 9 – 15 16 – 19 20 – 5 6 – 10 10b – 10c 10d – 11 12 – 3 4 – 6 7 – 8 9 – 9 10 – 12 1 – 2 3 – 5 6 – 8 9 – 3 4 – 8 9 – 19 20 – 5 6 – 9 1 – 4 5 – 9 10 – 2 3 – 9 10 – 13 14 – 19 20 – 4 5 – 8 9 – 12 13 – 15 16 – 2 3 – 5 6 – 2 3 – 6 7 – 12 13 – 15 16 – 17 18 – 19 20 – 22 23 – 3 4 – 9 10 – 14 15 – 15 16 – 16 17 – 17 18 – 19 20 – 21 22 – 24 25 – 30 31 – 1 2 – 5 6 – 12 13 – 16

ARA İngilizce Latince Latince

10 Even supposing he represents what has actually happened, he is none the less a poet, for there is nothing to prevent some actual occurrences being the sort of thing that would probably or inevitably happen, and it is in virtue of that that he is their maker.

11 Of simpleThis term is defined in the next chapter. It seems odd to use it before its meaning is explained. Perhaps we should read ἄλλων(Tyrwhitt) and translate of all plots. plots and actions the worst are those which are episodic. By this I mean a plot in which the episodes do not follow each other probably or inevitably.

11b Bad poets write such plays because they cannot help it, and good poets write them to please the actors. Writing as they do for competition, they often strain a plot beyond its capacity and are thus obliged to sacrifice continuity.Or logic. He means the chain of cause and effect, wherein each incident is the result of what has gone before. See the end of the next chapter.