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İngilizce Yunanca

673

Athenian

Ath. As to music, which was referred to when we said a moment ago that the one half of choristry had been described and disposed of,—let us say the same of it now; but as to the other half, are we to speak about it, or what are we to do?

Clinias

Clin. My good sir, you are conversing with Cretans and Lacedaemonians, and we have discussed the subject of music; what reply, then, to your question do you suppose that either of us will make, when the subject left still untouched is gymnastic?

Athenian

Ath. You have given me a pretty clear answer, I should say, in putting this question; although it is a question, I understand it to be also (as I say) an answer—or rather, an actual injunction to give a full account of gymnastic.

Clinias

Clin. You have grasped my meaning excellently: please do so. 10

Athenian

Ath. Do it I must; and indeed it is no very hard task to speak of things well known to you both. For you are far better acquainted with this art than with the other.

Clinias

Clin. That is about true.

Athenian

Ath. The origin of the play i.e. playful motion, or dancing, as contrasted with music (or harmony) which springs from the tendency to cry outc. we are speaking of is to be found in the habitual tendency of every living creature to leap; and the human creature, by acquiring, as we said, a sense of rhythm, generated and brought forth dancing; and since the rhythm is suggested and awakened by the tune, the union of these two brought forth choristry and play.

Clinias

Clin. Very true.