Σοφιστής

Bölümler

216 216–217 217 217–218 218–219 219 219–220 220 220–221 221 221–222 222 222–223 223 224 224–225 225 225–226 226 226–227 227 227–228 228 228–229 229–230 230 230 230–231 231 232 232–233 233 233–234 234 234–235 235 236 236–237 237 237–238 238 238–239 239–240 240 240–241 241 241–242 242 243 243 243–244 244 244–245 245 245–246 246 246–247 247 247–248 248 248–249 249 249–250 250 250–251 251 251–252 252 252 253 253–254 254 254 255 255–256 256 256–257 257 257 258 258 259 259 259–260 260 260–261 261 261–262 262 262–263 263 263–264 264 264–265 265 266 266 266–267 267 267–268 268

İngilizce Yunanca

235

Stranger

Str. It is decided, then, that we will as quickly as possible divide the image-making art and go down into it, and if the sophist stands his ground against us at first, we will seize him by the orders of reason, our king, then deliver him up to the king and display his capture. But if he tries to take cover in any of the various sections of the imitative art, we must follow him, always dividing the section into which he has retreated, until he is caught. For assuredly neither he nor any other creature will ever boast of having escaped from pursuers who are able to follow up the pursuit in detail and everywhere in this methodical way.

Theaetetus

Theaet. You are right. That is what we must do. 10

Stranger

Str. To return, then, to our previous method of division, I think I see this time also two classes of imitation, but I do not yet seem to be able to make out in which of them the form we are seeking is to be found.

Theaetetus

Theaet. Please first make the division and tell us what two classes you mean.

Stranger

Str. I see the likeness-making art as one part of imitation. This is met with, as a rule, whenever anyone produces the imitation by following the proportions of the original in length, breadth, and depth, and giving, besides, the appropriate colors to each part.

Theaetetus

Theaet. Yes, but do not all imitators try to do this?