περὶ Μουσικῆς

Sections

1 – 1 2 – 2 2 – 2 3 – 3 4 – 4 5 – 5 6 – 6 7 – 7 8 – 8 9 – 9 10 – 10 11 – 11 11 – 12 13 – 13 14 – 14 15 – 15 16 – 16 17 – 17 18 – 18 19 – 19 20 – 20 21 – 21 22 – 22 23 – 23 24 – 25 26 – 26 27 – 27 28 – 28 29 – 29 30 – 30 30 – 30 31 – 31 32 – 32 33 – 33 34 – 34 35 – 35 36 – 36 37 – 37 38 – 38 39 – 39 40 – 40 41 – 41 42 – 42 43 – 43 44 – 44

İngilizce Yunanca

16 The mixed Lydian moves the affections, and is fit for tragedies. This mood, as Aristoxenus alleges, was invented by Sappho, from whom the tragedians learned it and joined it with the Doric. The one becomes a majestic, lofty style, the other mollifies and stirs to pity; both which are the properties of tragedy. The history of music, however, made Pythoclides the flute-player to be the author of it; and Lysis reports that Lamprocles the Athenian, finding that the diazeuxis (or separation of two tetrachords) was not where almost all others thought it had been, but toward the treble, made such a scheme as is now from paramese to the highest hypate. But for the softer Lydian, being contrary to the mixed Lydian and like the Ionian, they say it was invented by Damon the Athenian.