Thesauros Literature Epic Metamorphoses

Metamorphoses

Metamorphoses Ovid 43 B.C.-17 or 18 A.D

Book 10

 
to savage bulls. 220
 
But even after that,
 
the obscene Propoetides dared to deny
 
divinity of Venus, for which fault,
 
(and it is common fame) they were the first
 
to criminate their bodies, through the wrath
 
of Venus; and so blushing shame was lost,
 
white blood, in their bad faces grew so fast,
 
so hard, it was no wonder they were turned
 
with small change into hard and lifeless stones.
 
Pygmalion saw these women waste their lives 243
 
in wretched shame, and critical of faults
 
which nature had so deeply planted through
 
their female hearts, he lived in preference,
 
for many years unmarried.—But while he
 
was single, with consummate skill, he carved
 
a statue out of snow-white ivory,
 
and gave to it exquisite beauty, which
 
no woman of the world has ever equalled:
 
she was so beautiful, he fell in love
 
with his creation. It appeared in truth
 
a perfect virgin with the grace of life,
 
but in the expression of such modesty
 
all motion was restrained—and so his art
 
concealed his art. Pygmalion gazed, inflamed
 
with love and admiration for the form,
 
in semblance of a woman, he had carved.
 
He lifts up both his hands to feel the work,
 
and wonders if it can be ivory,
 
because it seems to him more truly flesh. —
 
his mind refusing to conceive of it
 
as ivory, he kisses it and feels
 
his kisses are returned. And speaking love,
 
caresses it with loving hands that seem
 
to make an impress, on the parts they touch,
 
so real that he fears he then may bruise
 
her by his eager pressing. Softest tones
 
are used each time he speaks to her. He brings
 
to her such presents as are surely prized
 
by sweet girls; such as smooth round pebbles, shells,

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