Thesauros Literature Comedy Hecyra

Hecyra

Hecyra Terence

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nor yet was there ever any quarrel or words between them. 180
PHILOTIS
What then ?
PARMENO
If at any time she came to converse with her, she would instantly withdraw from her presence,From her presence: For the purpose, as will afterward appear, of not letting Sostrata see that she was pregnant. and refuse to see her; in fine, when she could no longer endure her, she pretended that she was sent for by her mother to assist at a sacrifice.
 
When she had been there a few days, Sostrata ordered her to be fetched. She made some, I know not what, excuse. Again she gave similar orders; no one sent back any excuse. After she had sent for her repeatedly, they pretended that the damsel was sick. My mistress immediately went to see her; no one admitted her. On the old man 185
 
coming to know of this, he yesterday came up from the country on purpose, and waited immediately upon the father of Philumena. What passed between them, I do not know as yet; but really I do feel some anxiety in what way this is to end. You now have the whole matter; and I shall proceed whither I was on my way. 190
PHILOTIS
And I too, for I made an appointment with a certain strangerWith a certain stranger: Here Philotis gives a reason, as Donatus observes, why she does not again appear in the Play. The following is an extract from Colman’s remarks on this passage: It were to be wished, for the sake of the credit of our author’s acknowledged art in the Drama, that Philotis had assigned as good a reason for her appearing at all. Eugraphius justly says: The Courtesan in this Scene is a character quite foreign to the fable. Donatus also says much the same thing in his Preface, and in his first Note to this Comedy; but adds that Terence chose this method rather. than to relate the argument by means of a Prologue, or to introduce a God speaking from a machine. I will venture to say that the Poet might have taken a much shorter and easier method than either; I mean, to have begun the Play with the very Scene which now opens the Second Act. to meet him. 195
PARMENO
May the Gods prosper what you undertake!
PHILOTIS
Farewell!
PARMENO
And a kind farewell to you, my dear Philotis.
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